![]() ![]() The things that have been brought up seem like this is not what you obsess on unless you’re an obsessive personality. In two and a half years, we’re gonna roll up our sleeves and go right back into it but in the meantime, we went from nothing to putting our members in the driver’s seat when it comes to AI. Some people get very obsessed on one thing and are willing to throw the baby out with the bath water. For 21 years, they’ve been trying to get that into a contract and we got it in. filled page after blank page with new language and recognized for the first time performance capture. So don’t trust them either and then don’t trust your negotiating committee who gave blood, sweat, and tears for a year of their lives sacrificing so much for them, fought so hard to get a billion-dollar deal that was three times bigger than the last contract and bigger than the last three contracts put together. Do you have anything to say to these actors that are still worried about losing their voice and likeness during productions?Įven Carol Lombardini said that Duncan Crabtree-Ireland - she is fully aware - is always the smartest one in the room. Justine Bateman has criticized the AI provisions, SAG-AFTRA board member Matthew Modine said “consent is surrender,” and some actors I spoke to still have concerns. Sling's Half-Price Offer Lets You Stream Live TV Channels for Just $20Īs we know, 21.67 percent of members voted against the deal. We went from not having any protections - they would be pulling our members off to go get scanned and think that was OK and they could just use it in perpetuity - and now we’ve put it into the members’ decision. What we needed was that we get compensation and consent and that they had to tell us in very clear language what they would use it for on a particular job specifically. What was the last piece that SAG-AFTRA needed from the AMPTP on AI? I want to talk about two major points that led both SAG-AFTRA and the AMPTP to reach a tentative agreement: the streaming bonus and AI protections. SAG-AFTRA President Fran Drescher (C), SAG-AFTRA Secretary-Treasurer Joely Fisher (L), SAG-AFTRA National Executive Director Duncan Crabtree-Ireland (Upper Right), SAG-AFTRA National Vice President of Los Angeles Jodi Long (R), and other union members pose for a group photo at a press conference discussing their strike-ending deal with the Hollywood studios on November 10, 2023, in Los Angeles, California. “Even the naysayers will see the benefits of it as they work the contract themselves,” Drescher quips.Īs Drescher reflects on the months that upended the film and TV industry, she tells Rolling Stone about the “Venus and Mars” energy in the bargaining room, how Disney CEO Bob Iger ignited the “hot labor summer,” and the possibility of a book documenting her SAG-AFTRA leadership. (The vote received a 38.15 percent turnout, compared to the 27.15 percent of members who ratified the TV/theatrical contracts in 2020.) ![]() During an interview this week following the deal’s approval, she says the vote and turnout was a sigh of relief. 8, actors spoke out on the then-tentative deal’s AI provisions.ĭespite this, Drescher felt certain that SAG-AFTRA members would ratify the agreement. Before the strike began in July, she faced backlash for cheesing next to Kim Kardashian during a Dolce & Gabbana promotional trip and following the strike’s end on Nov. But Drescher has not been free from criticism.
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